Irish Studies: Literature, Film and Theatre

Combining the best of scholarship and journalism since 1959, Film Quarterly publishes wide-ranging, well-crafted, incisive, and detailed writing for the thinking movie lover.

America's leading magazine on the art and politics of the cinema.

Film Criticism recently completed its thirty-fifth year of continuous publication, making it the third oldest academic film journal in the country.

Literature/Film Quarterly is the longest standing international journal devoted to the study of adaptation.

The journal aims to provide a platform for the study of new forms of cinematic practice and fresh approaches to cinemas hitherto neglected in western scholarship. .

An accessible, comprehensive overview of contemporary Irish cinema, this book is intended for use as a third-level textbook and is designed to appeal to academics in the areas of film studies and Irish studies. Responding to changes in the Irish production environment, it includes chapters on new Irish genres such as creative documentary, animation and horror. It discusses shifting representations of the countryside and the city, always with a strong concern for gender representations, and looks at how Irish historical events, from the Civil War to the Troubles, and the treatment of the traumatic narrative of clerical sexual abuse have been portrayed in recent films. It covers works by established auteurs such as Neil Jordan and Jim Sheridan, as well as new arrivals, including the Academy Award-winning Lenny Abrahamson.

Drawing on a massive array of primary sources, Emerald Illusions provides the first major history of the Irish-themed film in early American cinema. With the aid of over 100 rare photographs, Emerald Illusions covers a half-century of Irish-themed entertainment in America, providing fresh insights through the lens of previously unknown resources.

In recent years queer identities have become increasingly visible in Irish cinema, a shift that can be linked to political, economic and social changes taking place both in Ireland and around the world, as well as to changes in national film policy to cater more to international audiences. Irish Queer Cinema explores the sexual politics and socio-economic conditions that have determined the shape and evolution of these representations whilst interrogating the relationship between on-screen visibility and progressive sexual politics. Drawing together 23 films as depictive of an Irish queer cinema, including Clash of the Ash, The Crying Game and Me First, the book investigates the different ways gender and sexuality intersect with nationhood and national forms of belonging, and explores the role of queerness within the constitution of an Irish national culture.

Examining images of gender and violence, this book analyzes selected works of three influential artists of the Irish cinema--Ford, Sheridan and Greengrass--whose careers, taken together, span the period from 1939 to the present.

This is an exploration of the representation of Ireland and the Irish in British and US cinemas, as well as Irish made films. The book offers readings of a wide range of key films such as "The Butcher Boy" (1998), "Patriot Games" (1993) and "Angela's Ashes" (2000).

This book maps the history of Irish film censorship from its origins in the 1910s, through to the all-encompassing Censorship of Films Act 1923, the more liberal implementation of screening policies from the late 1960s onwards, and present-day concerns about media proliferation and distribution.

This impressive volume takes a broad critical look at Irish and Irish-related cinema through the lens of genre theory and criticism. Secondary and related objectives of the book are to cover key genres and sub-genres and account for their popularity. The result offers new ways of looking at Irish cinema.