Written in four sections with incisive and vivid lyrical language, Bianca Stone's What Is Otherwise Infinite considers how we find our place in the world through themes of philosophy, religion, environment, myth, and psychology.
Engine Empire is a trilogy of lyric and narrative poems that evoke an array of genres and voices, from Western ballads to sonnets about industrialized China to fragmented lyric poems set in the future. Through three distinct yet interconnected sequences, Cathy Park Hong explores the collective consciousness of fictionalized boomtowns in order to explore the myth of prosperity.
A collection of thrilling verse, including both new poems and beloved favorites, from the celebrated poet, modern cult icon, and author of Chelsea Girls. Eileen Myles' work is known for its blend of reality and fiction, the sublime and the ephemeral. Her work opens readers to astonishing new considerations of familiar places, like the East Village in her iconic Chelsea Girls, and invites them into lush--and sometimes horrid--dream worlds, imbuing the landscapes of her writing with the vividness and energy of fantasy.
This highly-anticipated debut boldly confronts addiction and courses the strenuous path of recovery, beginning in the wilds of the mind. Poems confront craving, control, the constant battle of alcoholism and sobriety, and the questioning of the self and its instincts within the context of this never-ending fight.
"Brock-Broido's brilliant nervosity and taste for the fantastic impel her to explore the obscure corners of the psyche and the fringes of ordinary human experience . . . The poems in A Hunger are original, strange, often unsettling, and mostly beautiful." --Stanley Kunitz
Feed is the fourth book in the Teebs tetralogy. It's an epistolary recipe for the main character, a poem of nourishment, and a jaunty walk through New York's High Line park, with the lines, stanzas, paragraphs, dialogue, and registers approximating the park's cultivated gardens of wildness.
Part fact, part fiction, Tyehimba Jess's much anticipated second book weaves sonnet, song, and narrative to examine the lives of mostly unrecorded African American performers directly before and after the Civil War up to World War I. Olio is an effort to understand how they met, resisted, complicated, co-opted, and sometimes defeated attempts to minstrelize them.
Beastgirl & Other Origin Myths is a collection of folkloric poems centered on the historical, mythological, gendered, and geographic experiences of a first generation American woman. From the border in the Dominican Republic, to the bustling streets of New York City, Acevedo considers how some bodies must walk through the world as beastly beings. How these forgotten myths be both blessing and birthright.
Ocean Vuong's second collection of poetry looks inward, on the aftershocks of his mother's death, and the struggle - and rewards - of staying present in the world. Time Is a Mother moves outward and onward, in concert with the themes of On Earth We're Briefly Gorgeous, as Vuong continues, through his work, his profound exploration of personal trauma, of what it means to be the product of an American war in America, and how to circle these fragmented tragedies to find not a restoration, but the epicenter of the break.
With Bluets, Maggie Nelson has entered the pantheon of brilliant lyric essayists. Maggie Nelson is the author of numerous books of poetry and nonfiction, including Something Bright, Then Holes (Soft Skull Press, 2007) and Women, the New York School, and Other True Abstractions (University of Iowa Press, 2007). She lives in Los Angeles and teaches at the California Institute of the Arts.
Collected here for the first time are more than three hundred poems from one of this country's major and most influential poets, representing the complete oeuvre of Audre Lorde's poetry. Lorde published nine volumes of poetry which, in her words, detail "a linguistic and emotional tour through the conflicts, fears, and hopes of the world I have inhabited." Included here are Lorde's early, previously unavailable works: The First Cities, The New York Head Shop and Museum, Cables to Rage, and From a Land Where Other People Live.
Xicancuicatl collects the poetry of leading avant-garde Chicanx poet Alfred Arteaga (1950-2008), whom French philosopher Gilles Deleuze regarded as "among those rare poets who are able to raise or shape a new language within their language."
Winner of the Agha Shahid Ali Poetry Prize. In a startling voice propelled by desire and desperation on the verge of laughter, these poems leap from the mundane to the sublime, from begging to bravado, from despair to reverie, revealing the power that comes from hanging on by a thread. Poet Heather June Gibbons conjures belief in the absence of faith, loneliness in the digital age, beauty in the face of absurdity--all through the cataract of her sunglasses' cracked lens. In this debut collection, we are shown a world so turbulent, anxious, and beautiful, we know it must be ours. Under pressure, these poems sing. Includes a foreword by Jericho Brown.
Taking its concept of concentricity from the eponymous Ralph Waldo Emerson essay, Circle, the first collection from Victoria Chang, adopts the shape as a trope for gender, family, and history. These lyrical, narrative, and hybrid poems trace the spiral trajectory of womanhood and growth and plot the progression of self as it ebbs away from and returns to its roots in an Asian American family and context.
Author, activist, feminist, teacher, and artist bell hooks is celebrated as one of the nation's leading intellectuals. Born in Hopkinsville, Kentucky, hooks drew her unique pseudonym from the name of her grandmother, an intelligent and strong-willed African American woman who inspired her to stand up against a dominating and repressive society.
Colliding with and confronting The Tempest and postcolonial identity, the poems in Safiya Sinclair's Cannibal explore Jamaican childhood and history, race relations in America, womanhood, otherness, and exile. She evokes a home no longer accessible and a body at times uninhabitable, often mirrored by a hybrid Eve/Caliban figure. Blooming with intense lyricism and fertile imagery, these full-blooded poems are elegant, mythic, and intricately woven. Here the female body is a dark landscape; the female body is cannibal. Sinclair shocks and delights her readers with her willingness to disorient and provoke, creating a multi-textured collage of beautiful and explosive poems.
This volume contains all Sylvia Plath's mature poetry written from 1956 up to her death in 1963. The text is preceded by an introduction by Ted Hughes and followed by notes and comments on individual poems.
Sappho, the earliest and most famous Greek woman poet, sang her songs around 600 BCE on the island of Lesbos. Of the little that survives from the approximately nine papyrus scrolls collected in antiquity, all is translated here: substantial poems, fragments, single words–and, notably, five stanzas of a poem that came to light in 2014. Also included are new additions to five fragments from the latest discovery, and a nearly complete poem published in 2004.
These poems embody the fearless passion and spirited wit for which Nikki Giovanni is beloved and revered. Romantic, bold, and erotic, Love Poems expresses notions of love in ways that are delightfully unexpected. Articulating in sensuous verse what we know only instinctively, Nikki Giovanni once again confirms her place as one of our nations's most distinguished poets and powerful truth-tellers.
In this new edition of Best Words, Best Order, Stephen Dobyns further explains the mystery of the poet's work. Through essays on memory and metaphor, pacing, and the intricacies of voice and tone, and thoughtful appreciations of Chekhov, Ritsos, Mandelstam, and Rilke, Dobyns guides readers and writers through poetry's mysterious twilight communiques. For this new second edition, Dobyns has added two new essays, one dealing with the idea of "beauty" in poetry and another dealing with the almost mystical way poets connect seemingly disparate elements in a single work.
From revered, established writers as well as exciting new voices, the poems in Puna Wai Korero offer a broad picture of Maori poetry in English. The voices are many and diverse: confident, angry, traditional, respectful, experimental, despairing, and full of hope, expressing a range of poetic techniques and the full scope of what it is to be Maori.
The Long Devotion is a collection of poems, essays, and writing prompts that celebrates motherhood and creates a space, as poet Molly Spencer has written, to "tell an unlovely truth about family life and not have to take it back."
Restores a medieval genre to its rightful place in rhetorical history In this study of thirteenth-century poetry and prose composition, William M. Purcell corrects the tendency of classical historiography to marginalize the contributions of medieval rhetoric and, specifically, to obscure the importance of ars poetriae. Defining the genre as a unique hybrid of rhetoric and grammar, he contends that it should be understood as a development important for its time and pertinent to the evolution of rhetorical theory.
The sites of inspiration documented in this book range from nineteenth century linguistic theory to postmodern strategies of conceptual writing, encompassing well known instances of modernist poetics (Mallarmé, Pound, Olson) alongside obscure but revealing figures like Otto Nebel and Henri-Martin Barzun.
Sol is a dynamic teacher, and in these essays, he has captured the humor and engaging intelligence for which he is known in the classroom. With a breezy style, Sol delivers essays that are perfect for a quick read or to be grouped together as a curriculum.
Here Staiger challenges the usefulness of the most distinguished of Western literary critical paradigms, the genre theory, that since the eighteenth century has been part of critics' indispensable theoretical equipment--a sort of literary sine qua non.
An unprecedented collection of contemporary poetics from Canada, the United States, and the United Kingdom. Here, poet and scholar Amy De'Ath and former Parliamentary Poet Laureate Fred Wah collect a wide range of conversations, statements, essays, profiles, and poems and place these often radical and interdisciplinary approaches in proximal relation to each other. The result is an open invitation to consider the contours and meanings of Anglophone poetic practice as a mode of interpreting the world, its potential for transforming subjectivity, or something else entirely. With over forty renowned contributors it is an invaluable resource for students, teachers, and writers.