Myths, Fairy Tales and Folklore

This book explores feminine archetypes and mythological figures in African and European traditions with an underlying goal of describing the foundations of social status for women. The author provides a rich corpus of mythology and tales to illustrate aspects of female and mother-daughter relationships. Diop analyzes the symbolic aspects of maternity and femininity, describing the social meaning of the matrix, breasts, and breastfeeding. A retrospective of female characters in African literature brings an interesting approach to explore the figures of femininity and maternity in society. After an extensive analysis of African mythology and tales, the author proposes a way to integrate them in the clinical psychotherapy as a projective material. The analysis of clinical cases offers an example of how this material can be used in therapy with women from African descent.

Norse Mythology explores the magical myths and legends of Norway, Sweden, Denmark, Iceland and Viking-Age Greenland and outlines the way the prehistoric tales and beliefs from these regions that have remained embedded in the imagination of the world. Spanning from the inception of the universe and the birth of human beings to the universe's destruction and the mythic future, these sparkling tales of creation and destruction, death and rebirth, gods and heroes will entertain readers and offer insight into the relationship between Scandinavian myth, history, and culture.

Everyone today knows about the gods and heroes of the ancient Greeks, such as Zeus, Hera, and Hercules, but how many people have heard of the Gaulish god Lugus or the magical Welsh queen Rhiannon or the great Irish warrior Cu Chulainn? And yet those who have read the stories of Celtic myth and legend - among them writers like J. R. R. Tolkien and C. S. Lewis - have been deeply moved and influenced by these amazing tales. Captured in vivid prose these shadowy figures - gods, goddesses, and heroes - come to life for the modern reader.

This book offers a detailed exploration of the plot genotype, the functional structure behind the plots of classical fairy tales. By understanding how plot genotypes are used, the reader or creative writer will obtain a much better understanding of many other types of fiction, including short stories, dramatic texts and Hollywood screenplays.

At the same time that 1970s feminist psychoanalytic theorists like Jean Baker Miller and Nancy Chodorow were challenging earlier models that assumed the masculine psyche as the norm for human development and mental/emotional health, writers such as Anne Sexton, Olga Broumass, and Angela Carter were embarked on their own revisionist project to breathe new life into fairy tales and classical myths based on traditional gender roles. Similarly, in the 1990s, second-wave feminist clinicians continued the work begun by Chodorow and Miller, while writers of fantasy that include Terry Windling, Tanith Lee, Terry Pratchett, and Catherynne M. Valente took their inspiration from revisionist authors of the 1970s. As Schanoes shows, these two decades were both particularly fruitful eras for artists and psychoanalytic theorists concerned with issues related to the development of women's sense of self. Putting aside the limitations of both strains of feminist psychoanalytic theory, their influence is undeniable. Schanoes's book posits a new model for understanding both feminist psychoanalytic theory and feminist retellings, one that emphasizes the interdependence of theory and art and challenges the notion that literary revision involves a masculinist struggle with the writer's artistic forbearers.

Decoding Andean Mythology is a comprehensive analysis of Native Andean oral tradition spanning five centuries. Based on twenty years of research and a wide range of scholarship, this book departs from the Cuzco-centered focus of many published Andean narratives and includes myths, stories, and folktales from diverse regions and ethnic groups. Among them are full translations of thirty-two ancient and modern Native Andean stories. Colorful illustrations and a comprehensive glossary of Quechua, Aymara, and Spanish loan words supplement the text.

This volume introduces a new concept to explore the dynamic relationship between folklore and popular culture: the "folkloresque." The Folkloresque challenges disciplinary and genre boundaries; suggests productive new approaches for interpreting folklore, popular culture, literature, film, and contemporary media; and encourages a rethinking of traditional works and older interpretive paradigms.

Sue Short examines how fairy tale tropes have been reworked in contemporary film, identifying familiar themes in a range of genres - including rom coms, crime films and horror - and noting key similarities and differences between the source narratives and their offspring.

Setting itself apart from typical anthologies in classical mythology, Gods, Heroes, and Monsters: A Sourcebook of Greek, Roman, and Near Eastern Myths in Translation presents essential Greek and Roman sources--including work from Homer, Hesiod, Virgil, and Ovid--alongside analogous narratives from the ancient Near East--Mesopotamia, Egypt, the Hittite kingdom, Ugarit, Phoenicia, and the Hebrew Bible. Some of the sources appear here in English translations for the first time.

Fairy Tales, Natural History and Victorian Culture deals with the way in which natural history was connected to the world of fairies and highlights how shifts in the understanding of natural history, especially after 1859, had a significant impact on fairy stories and Victorian experiments with the literary fairy tale.

Shelley Duvall’s Faerie Tale Theatre brings to life twenty-six of the most magical fairy tales of all time. Directed by such masters of cinema as Tim Burton and Francis Ford Coppola, and star-powered by Robin Williams, Billy Crystal, Mick Jagger, James Earl Jones, Howie Mandel, Christopher Reeve, Susan Sarandon and more, this collection is an unparalleled treasury of best-loved tales of enchantment, adventure and wonder.

A classic Disney fairytale collides with modern-day New York City in a story about a fairytale princess who is sent to our world by an evil queen. Soon after her arrival, Princess Giselle begins to change her views on life and love after meeting a handsome lawyer. Can a storybook view of romance survive in the real world?

19th-century "folklore collectors," Wilhem and Jacob Grimm are con artists who perform bogus exorcisms of "evil enchantments" while traveling from village to village in French-occupied Germany. The two soon find themselves ensnared in a genuinely supernatural crisis involving the curse of the Mirror Queen and other such fantastical marvels as the Big Bad Wolf, the Gingerbread Man, and other truly enchanted flora and fauna.

The story finds a lion cub, son of a king, sent into exile after his father is sabotaged by a rivalrous uncle. The little hero finds his way into the "circle of life" with some new friends and eventually comes back to reclaim his proper place.