NYU Florence Library & Online Resources: Art History, Photography & Museology

Widely used in architectural circles in the heat of discussion, the recurrent use of particular words and terms has evolved into a language of design jargon. Commonly found in architectural literature and journalism, in critical design debate and especially in student project reviews, Archispeak can seem insular and perplexing to others and -- particularly to the new architectural student -- often incomprehensible. There is a need to translate architectural design concepts into spoken and written commentary -- each word in use embodying a precise and universally accepted architectural meaning. If we explore the vocabulary of this language we gain insight into good design practice and into collective understanding of what constitutes a refined architecture. This unique illustrated guide will help students understand the nuances of this specialized language and help them in communicating their own design ideas.

This groundbreaking and authoritative two-volume survey is the first truly comprehensive history of modern Italian architecture and urbanism to appear in any language. Told in lively prose, it recounts more than 250 years of experimentation, creativity, and turmoil that have shaped the landscape of contemporary Italy. Volume II: Visions of Utopia, 1900Present, tracks the development of Italys architectural avant-garde through the upheavals of the twentieth century. Beginning with the development of Italian art nouveau--stile liberty--and moving through futurism, fascism, rationalism, and on to the creative experimentation of the present day, it explores the work of such pivotal figures as Raimondo dAronco, Antonio SantElia, Adalberto Libera, Giuseppe Terragni, Pier Luigi Nervi, Gio Ponti, Carlo Scarpa, Aldo Rossi, and Renzo Piano. The Architecture of Modern Italy is exhaustively illustrated with rare period images, new photography, maps, drawings, and plans. With Colin Rowe's Italian Architecture of the 16th Century, it provides a nearly complete overview of the history of Italian architecture.

They envisioned a brave new world, and what they got was fascism. As vibrant as its counterparts in Paris, Munich, and Milan, the avant-garde of Florence rose on a wave of artistic, political, and social idealism that swept the world with the arrival of the twentieth century. How the movement flourished in its first heady years, only to flounder in the bloody wake of World War I, is a fascinating story, told here for the first time. It is the history of a whole generation's extraordinary promise--and equally extraordinary failure. The "decadentism" of D'Annunzio, the philosophical ideals of Croce and Gentile, the politics of Italian socialism: all these strains flowed together to buoy the emerging avant-garde in Florence. Walter Adamson shows us the young artists and writers caught up in the intellectual ferment of their time, among them the poet Giovanni Papini, the painter Ardengo Soffici, and the cultural critic Giuseppe Prezzolini. He depicts a generation rejecting provincialism, seeking spiritual freedom in Paris, and ultimately blending the modernist style found there with their own sense of toscanit#65533; or "being Tuscan." In their journals--Leonardo, La Voce, Lacerba, and l'Italia futurista--and in their cafe life at the Giubbe Rosse, we see the avant-garde of Florence as citizens of an intellectual world peopled by the likes of Picasso, Bergson, Sorel, Unamuno, Pareto, Weininger, and William James. We witness their mounting commitment to the ideals of regenerative violence and watch their existence become increasingly frenzied as war approaches. Finally, Adamson shows us the ultimate betrayal of the movement's aspirations as its cultural politics help catapult Italy into war and prepare the way for Mussolini's rise to power.

A unique, comprehensive reference that defines the language of today's landscape architecture, planning, construction, and environmental science, covering such specifics as irrigation, plant science, soil science, wetlands, landscape ecology, horticulture, and land planning More than 7500 terms and meanings cover the breadth and depth of the field 300 illustrations illuminate both definitions and methods A KEYSTONE REFERENCE FOR LANDSCAPE PROFESSIONALS The Dictionary of Landscape Architecture and Construction defines the wide range of terms used in this diverse field. More than 7500 terms and definitions facilitate communication among professionals of all stripes and workers of all types. This ingenious tool crosses the disciplines, skills, and crafts of the range of professionals who contribute to landscape architecture today. In addition, 300 illustrations clearly exemplify construction and/or composition landscape elements. SPANNING LANDSCAPE ARCHITECTURAL ARTS, CONSTRUCTION, AND SCIENCES A comprehensive, carefully constructed resource, the Dictionary of Landscape Architecture and Construction defines vocabulary across the field, including land planning, environmental planning, construction, materials, methods, and botanicals. With straightforward definitions and clear illustrations, this resource can help everyone from architects, designers, and contractors to grounds maintenance workers understand the aims and requirements of landscape architecture projects of all types. AN ESSENTIAL TOOL FOR ANYONE WHO WORKS IN LANDSCAPE

The most beautiful Tuscan gardens seen through the work of the photographer, Massimo Listri, with descriptive and historical texts from a team of experts. Forty-two gardens are examined: eighteen of which are in Florence: Boboli, Torrigiani Garden, Villa i Tatti, Villa Gamberaia, Fonte Lucente, Villa Demidoff Park, Villa La Pietra and others. The whole history of the gardens of Tuscany is retraced by Mariella Zoppi in the introduction. Texts by: Gilberto Bedini, Chiara Bichi, Andrea Boscu Bianchi Bandinelli, Enrica Buccioni, Marco Cei, Cesare Cunaccia, Giorgio Galletti, Massimo Gregorini, Biagio Guccione, Alberto Giuntoli, Isabella Lapi Ballerini, Paola Maresca, Litta Medri, Rosetta Ragghianti, Ines Romitti, Vieri Torrigiani, Luigi Zangheri, Mariella Zoppi.

The Grove Encyclopedia of Classical Art and Architecture spans every art form, medium, and civilization the fall of the Roman Empire, The Grove Encyclopedia of Classical Art & Architecture is a comprehensive reference source on this important field of study. Drawing on the expansive scholarship of The Dictionary of Art (1996, 34 vols) and Grove Art Online, and adding dozens of new entries, the Encyclopedia includes all subject areas in the classical arts, including philosophers, rulers, writers and artists, architecture, ceramics, sculpture, and more. Arranged alphabetically, this two-volume set contains over 800 entries tracing the development of the art forms in classical civilizations such as ancient Greece and Rome. Illustrated with 400 halftones, maps and line drawings, and 32 color plates, the Encyclopedia is a reliable and convenient resource covering this field of everlasting significance in the development of western culture.

"The chronology of the Italian Renaissance, its character, and context have long been a topic of discussion among scholars. Some date its beginnings to the fourteenthcenturywork of Giotto, others to the generation of Masaccio, Brunelleschi, and Donatello that fl ourished from around 1400. The close of the Renaissance has also proved elusive. Mannerism, for example, is variously considered to be an independent (but subsidiary) late aspect of Renaissance style or a distinct style in its own right."

Leon Battista Alberti was one of the most important humanist scholars of the Italian Renaissance. Active in mid-fifteenth-century Florence, he was an architect, theorist, and author of texts on perspective and painting. Leon Battista Alberti: On Painting is a cardinal work that revolutionized Western art. In this volume Rocco Sinisgalli presents a new English translation and critical examination of Alberti's seminal text. Dr Sinisgalli reverses the received understanding of the relationship between the Italian and Latin versions of Alberti's treatise by demonstrating that Alberti wrote it first in Italian and then translated it into a polished Latin over the course of several decades. This volume is richly illustrated to help demonstrate how Alberti understood optics and art.

Packed with facts, attributions, and entertaining anecdotes about his contemporaries, Vasari's collection of biographical accounts also presents a highly influential theory of the development of Renaissance art.Beginning with Cimabue and Giotto, who represent the infancy of art, Vasari considers the period of youthful vigour, shaped by Donatello, Brunelleschi, Ghiberti, and Masaccio, before discussing the mature period of perfection, dominated by the titanic figures of Leonardo, Raphael, and Michelangelo.This specially commissioned translation contains thirty-six of the most important lives as well as an introduction and explanatory notes.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Lavishly illustrated, Medici Women: Portraits of Power, Love and Betrayal in the Court of Duke Cosimo I is an indispensable work for anyone with a passion for Italian renaissance history, art, and court culture.

Botticelli, Holbein, Leonardo, Durer, Michelangelo: the names are familiar, as are the works, such as the "Last Supper" fresco, or the monumental marble statue of David. But, who were these artists, why did they produce such memorable images, and how would their original beholders have viewed these objects? Was the Renaissance only about great masters and masterpieces, or were "mistresses" also involved, such as women artists and patrons? And, what about the 'minor'-pieces that Renaissance men and women would have encountered in homes, churches, and civic spaces? This exciting and stimulating volume will answer such questions by considering both famous and lesser-known artists, patrons and works of art within the cultural and historical context of Renaissance Europe.

Scholarly and innovative with visually stunning line drawings and photographs, this volume provides readers with a compelling record of the unbroken pattern of reciprocal use and exchange between the countryside and the walled city of Florence, from the thirteenth century up to the present day. Defying the traditional and idealized interpretation of the Florentine Villa, the author: analyzes the economic factors that powered the investment in and building of country houses and estates from the early Renaissance times onwards, as well as the ideology and the architectural and literary models that promoted the Florentine villa explores the area between Florence and Sesto in its history, morphology and representation looks at the villas existing in the area. A contribution to the protection of the important cultural heritage of the landscape in the Florentine area and of its historic buildings, villas and gardens, this study makes engaging reading, not only for scholars and students in architecture, landscape design and social history, but also for the well informed reader interested in art, architecture and gardens.

What exactly is neoexpressionism? the difference between applique and appliqué? the part of a city known as the acropolis? or the painting technique called gouache? In this authoritative and concise dictionary, more than 2,000 entries embrace the vast vocabulary of painting and sculpture, architecture and photography, and the decorative, applied, and graphic arts. The hundreds of illustrations and diagrams play a vital role as information: art movements become immediately recognizable by a representative painting, and the defining features of each order of architecture are identifiable at a glance.This revised edition features a substantial number of new entries, including today's influential artist groups and tendencies from Chicano art to gene art, and new terms connected with the use of computer technology in the art world, from digital image to pixel.

A Companion to Museum Studies captures the multidisciplinary approach to the study of the development, roles, and significance of museums in contemporary society. Collects first-rate original essays by leading figures from a range of disciplines and theoretical stances, including anthropology, art history, history, literature, sociology, cultural studies, and museum studies Examines the complexity of the museum from cultural, political, curatorial, historical and representational perspectives Covers traditional subjects, such as space, display, buildings, objects and collecting, and more contemporary challenges such as visiting, commerce, community and experimental exhibition forms

If you already have a good knowledge of Adobe Photoshop and are looking to advance your skills, Adobe Photoshop CS5 for Photographers: The Ultimate Workshopis the book you've been waiting for.  Renowned photographers Martin Evening and Jeff Schewe impart their Photoshop tips and workflow, showing you how to use a vast array of rarely seen advanced Photoshop techniques.  Whether the subject is serious retouching work, weird and wonderful compositions, or planning a shoot before you've even picked up a camera, you can be sure that the advice is based on years of practical experience. Full of inspirational photographs and hundreds of full-color screenshots to show you how it's done, this book features: -Advice on becoming a retouching master with advanced masking and compositing techniques -A detailed workflow for preparing your images for the best possible output, showing you how to meet both deadline and budge without sacrificing quality -26 movie tutorials on the included DVD, offering over 3 hours of movie content The ideal companion to Photoshop CS5 for Photographers, this is a must-have resource for any serious user of Adobe Photoshop. without sacrificing quality -26 movie tutorials on the included DVD, offering over 3 hours of movie content The ideal companion to Photoshop CS5 for Photographers, this is a must-have resource for any serious user of Adobe Photoshop.

The notion of retrieving a bit of the past-by owning a material piece of it-has always appealed to humans. Often our most prized possessions are those that have had a long history before they came into our hands. Part of the pleasure we gain from the encounter with antiques stems from the palpable age and the assumed (sometimes imaginary) cultural resonances of the particular object. But precisely what is it about these objects that creates this attraction? What common characteristics do they share and why and how do these traits affect us as they do? In Antiques: The History of an Idea, Leon Rosenstein, a distinguished philosopher who has also been an antiques dealer for more than twenty years, offers a sweeping and lively account of the origin and development of the antique as both a cultural concept and an aesthetic category. He shows that the appeal of antiques is multifaceted: it concerns their value as commodities, their age and historical and cultural associations, their uniqueness, their sensuous and tactile values, their beauty. Exploring how the idea of antiques evolved over time, Rosenstein chronicles the history of antique collecting and connoisseurship. He describes changing conceptions of the past in different epochs as evidenced by preservations, restorations, and renascences; examines shifting attitudes toward foreign cultures as revealed in stylistic borrowings and the importation of artifacts; and investigates varying understandings of and meanings assigned to their traits and functions as historical objects. While relying on the past for his evidence, Rosenstein approaches antiques from an entirely original perspective, setting history within a philosophical framework. He begins by providing a working definition of antiques that distinguishes them from other artifacts in general and, more distinctly, both from works of fine art and from the collectible detritus of popular culture. He then establishes a novel set of criteria for determining when an artifact is an antique: ten traits that an object must possess in order to elicit the aesthetic response that is unique to antiques. Concluding with a provocative discussion of the relation between antiques and civilization, this engaging and thought-provoking book helps explain the enduring appeal of owning a piece of the past.

Architectural photography is more than simply choosing a subject and pressing the shutter-release button; it's more than just documenting a project. An architectural photograph shows the form and appeal of a building far better than any other medium. With the advent of the digital photographic workflow, architects are discovering exciting new opportunities to present and market their work. But what are the ingredients for a successful architectural photograph? What equipment do you need? How can you improve your images in your digital darkroom? Why does a building look different in reality than in a photographic image? In this book you will find the answers to these questions and much more. Author Adrian Schulz-both an architect and a photographer by training-uses real-world projects to teach you how to: Capture outstanding images of buildings, inside and out Choose the right equipment and use it effectively Compose architectural shots Work with ambient and artificial light Process images in an efficient workflow based on Adobe Photoshop This book is a step-by-step guide to architectural photography for both the aspiring amateur photographer interested in architectural photography and the professional photographer wanting to expand his skills in this domain. Moreover, architects themselves will find this book motivating and inspiring. This second edition has been extensively revised and includes 80 new images and illustrations, as well as an expanded chapter on shooting interior spaces. Also included is an updated discussion of post-processing techniques and the latest technical developments in the world of photography. With this book, you will learn a variety of creative tips, tricks, and guidelines for making the perfect architectural image.

This book traces the psychology, history and theory of the compulsion to collect, focusing not just on the normative collections of the Western canon, but also on collections that reflect a fascination with the "Other" and the marginal – the ephemeral, exotic, or just plain curious. There are essays on the Neoclassical architect Sir John Soane, Sigmund Freud and Kurt Schwitters, one of the masters of collage. Others examine imperialist encounters with remote cultures – the consquitadors in America in the sixteenth century, and the British in the Pacific in the eighteenth – and the more recent collectors of popular culture, be they of Swatch watches, Elvis Presley memorabilia or of packaging and advertising. With essays by Jean Baudrillard, Thomas DaCosta Kaufmann, Nicholas Thomas, Mieke Bal, John Forrester, John Windsor, Naomi Schor, Susan Stewart, Anthony Alan Shelton, John Elsner, Roger Cardinal and an interview with Robert Opie.

'Fashion is a photograph. When we think of fashion ... we think of a photograph. It all comes together as a photograph.' - Peter SavillePhotographic images are a driving force behind the fashion system, and they playa key role in defining global fashion culture. Fashion photography is attracting increasing public attention; it has embraced new image-making technologies, and has shown itself to be a commercially and ideologically powerful medium.This rich and rewarding book combines new critical approaches with views from inside the industry, showing fashion photography to be a complex cultural phenomenon worthy of serious critical attention. It brings together distinguished contributors from the UK, North America, Australia and Europe - including Rankin, Philippe Garner, Penny Martin, Caroline Evans, Eva Respini and Margaret Maynard - to examine the production and consumption of fashion images from the points of view of industry and academia, the museum, the auction house, and the art gallery. Illustrated in black and white and colour, the book discusses key issues in recent fashion photography and establishes a fertile space for new ways of looking to emerge on this dynamic visual form.

This volume brings together for the first time the most significant papers on the interpretation of objects and collections and examines how people relate to material culture and why they collect things. The first section of the book discusses the interpretation of objects, setting the philosophical and historical context of object interpretation. Papers are included which discuss objects variously as historical documents, functioning material, and as semiotic texts, as well as those which examine the politics of objects and the methodology of object study. The second section, on the interpretation of collections, looks at the study of collections in their historical and conceptual context. Many topics are covered such as the study of collecting to structure individual identity, its affect on time and space and the construction of gender. There are also papers discussing collection and ideology, collection and social action and the methodology of collection study. This unique anthology of articles and extracts will be of inestimable value to all students and professionals involved in the interpretation of objects and collections.

English summary: Catalog from the 2012 Florentine exhibit on art collecting in nineteenth-century Florence, with critical texts examining the growth of the city's great collections, their transformation into museum, antiquarian artists, national and international trade, as well as descriptions of some of the region's most important museums to emerge from these collections. Italian and English text Italian description: Ã_ il catalogo della mostra allestita a Palazzo Medici Riccardi tra il 3 ottobre 2011 e il 15 aprile 2012 e affronta il tema del collezionismo d'arte, che vede nella seconda metà dell'Ottocento Firenze protagonista nel panorama antiquario europeo, secondo una tradizione culturale che aveva illustri precedenti nelle corti granducali. La pubblicazione, introdotta da saggi di Antonio Paolucci e Cristina Acidini, affronta il fenomeno dagli esordi (Elisa Camporeale) alla comparsa di case-museo (Francesca Baldry), artisti antiquari (Lucia Mannini), dialoghi e traffici internazionali (Claudia Gennari) con particolare riferimento alla vicenda di Palazzo Davanzati (Roberta Ferrazza). Sono descritte e studiate le più importanti collezioni conservate oggi al Museo Bandini di Fiesole (Cristina Gnoni Mavarelli), allo Stibbert (Simona Di Marco), al Castello di Vincigliata (Francesca Baldry) come pure gli scenografici allestimenti di Stefano Bardini (Antonella Nesi), Elia Volpi (Roberta Ferrazza), Salvatore Romano (Serena Pini) o le filologiche e austere scelte di vita di Herbert Percy Horne (Elisabetta Nardinocchi), Charles Loeser (Serena Pini), Arthur e Hortense Acton (Francesca Baldry). Saggi di Chiara Ulivi e Lucia Mannini fanno luce anche sul collezionismo d'arte moderna del primo Novecento e Laura Lucchesi si occupa, in particolare, della collezione di macchiaioli raccolta in quell'epoca dallo scultore Rinaldo Carnielo. Graziella Battaglia tratta il critico e collezionista Ugo Ojetti, ancora Lucia Mannini delinea personaggi come Luigi Bellini o i coniugi Alessandro e Vittoria Contini Bonacossi, Francesca Serafini fornisce un ultimo approfondimento sulle donazioni private ai musei fiorentini. Testi in italiano e in inglese / Italian and English text

Mostly candid and spontaneous, documentary photography serves to preserve a moment in time. In Lens on Life, celebrated documentary photographer and author of the best-selling The Art of iPhoneography: A Guide to Mobile Creativity, Stephanie Calabrese Roberts, inspires you to explore, shoot, and share documentary photographs, guiding you as you define your own style. Illustrated with the author's striking artwork and diverse insight and perspectives from seasoned photographers including Elliott Erwitt, Elizabeth Fleming, Sion Fullana, Ed Kashi, John Loengard, Beth Rooney, and Rick Smolan, this book will sharpen your artistic intuition and give you the confidence to take on personal or professional documentary assignments. Full of advice that will challenge you and strengthen your photography, Lens on Life shows you how to capture an authentic view of your world.

This fourth edition of Museum Basics has been produced for use in the many museums worldwide that operate with few professional staff and limited resources. The fourth edition has been fully updated to reflect the many changes that have taken place in museums around the world over the last six years. Drawing from a wide range of practical experience, the authors provide a basic guide to all aspects of museum work, from audience development and learning, through collections management and conservation, to museum management and forward planning. Museum Basics is organised on a modular basis, with over 100 units in eight sections. It can be used both as a reference work to assist day-to-day museum management, and as the key textbook for pre-service and in-service museum training programmes, where it can be supplemented by case studies, project work and group discussion. This edition includes over 100 diagrams to support the text, as well as a glossary, sources of information and support and a select bibliography. Museum Basics is also supported by its own companion website, which provides a wide range of additional resources for readers. Museum Basics aims to help the museum practitioner keep up to date with new thinking about the function of museums and their relationships with the communities they serve. The training materials provided within the book are also suitable for pre-service and in-service students who wish to gain a full understanding of work in a museum.

In this beautifully illustrated book Maria Antonella Pelizzari traces the history of photography in Italy from its beginnings to the present as she guides us through the history of Italy and its ancient sites and Renaissance landmarks. Pelizzari specifically considers the role of photography in the formation of Italian national identity during times of political struggle, such as the lead up to Unification in 1860, and later in the nationalist wars of Mussolini's regime. While many Italians and foreigners-- such as Fratelli Alinari or Carlo Ponti, John Ruskin or Kit Talbot--focused their lenses on architectural masterpieces, others documented the changing times and political heroes, creating icons of figures such as Garibaldi and the brigands. Pelizzari's exploration of Italian visual traditions also includes the photographic collages of Bruno Munari, the neorealist work of photographers such as Franco Pinna, the bold stylized compositions of Mario Giacomelli, and the controversial images created by Oliviero Toscani for Benetton advertising in the 1980s. Featuring unpublished works and a rare selection of over one hundred images, this book will appeal to art collectors and students of art history and Italian culture.